back to basics

 

 

 

professor eliot has given up even the pretense of hope for me. i have thrown in the towel, abandoned the pursuit. i am not cut out to be a poet. i will join the rank and file, i will do what i must do. academia must do without my insights and references, my this and my that. i want to emote. i want to listen to my body, more specifically my heart, more specifically my passion. what do i care of hudabristic quatrains? what have they ever done for me? 

 

on the other hand, i do have that solid b+ going for me, and it wouldn't take much of an effort to keep it. i can toss around those phrases pretty well, i can whip off a little miltonic free verse without much thought. it wouldn't have to be good miltonic free verse. perhaps i should play it smart, show professor eliot that i've got the goods.

 

he'd see through me in a second.

 

my heart was in it. really, it was. what happened? i got lost, i did. i lost my way. it came too easily, i thought i actually knew something about writing. i don't. i've tried to step back, "restart," as a friend said. surely it isn't too late. if i begin with something simple, the most basic sonnet, in pentameter, without rhyme. perhaps that will be the kick start i need. something, though, that means something to me. something of my heart, and my passion. and maybe, do you think, i should start using captial letters again? Why annoy Professor Eliot unnecessarily?

 

Is "Professor" a proper noun? 

 

should we meet again, please tarry a while

 

I mean,

 

Should we meet again, please tarry a while.

 

That could be the first line, it's a start, and Lord knows I mean it.

 

To My North Country Girl

 

Should we meet again, please tarry a while.

Should we have another evening, a night—

Please God, a morning, just one. Yes, I would

Be very happy to hold you once more,

To have you hold me I would trade all the

Images of perfection I carry.

They only serve to make me sigh. I can

Make do. I have. I will. I'd rather not.

You know me a little, you seemed as sad

To part as me. Your tears tasted of salt,

As did mine. If must, memories will do, 

But they are static. You were not static.

No ma'm, you were not. Nor I. Oh, why wish

For what cannot be, a miracle. Still . . . 

 

~~~

 

It's a start. I think he'll understand that I'm struggling. I won't say too much. I'll let my words speak for themselves. 

 

And what does Terri think of my infidelity? Exactly what you'd expect. 

 

 

 

 

 

 

 

 

 

 

 





Poetry by one trick pony The PoetBay support member heart!
Read 640 times
Written on 2015-02-16 at 22:19

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ken d williams The PoetBay support member heart!
Many an artist , in all the ways of art , takes awhile to become an overnight susses.
A writer , a poet , should crate there own stile , and not be pushed to become a puppet , of a puppeteer , those who teach can be a puppeteer , so a poet , writer , should check now and again , that strings , tho thin , are not being attached , the poet , the writer , should learn , but not , be chanalde in to tram tracks , but be incurrgde , to follow the lines of the poet , writers own mind
2015-02-17


Lawrence Beck The PoetBay support member heart!
I don't know how serious you are about this, but put "To My North Country Girl" against "North Country Girl," and you'll
see who you are. The first is stiff, a little academic; not a bad poem, but not a good one. The second is airy. It smells of the ocean, as do most of your poems. It's you. You know what you're doing. Just trust yourself.
2015-02-17



You will not give up on that solid b+ and I can't believe Professor Eliot has given up on you.

You say you want to emote, to listen to your body, to your heart, your passion!

What the "hudabristic quatrains" have done for you is encourage you to express all that you want. Once you learn them, then go free, without capitals, without rules, and write, write, write!!

By the way, what you just wrote is beautiful and passionate and full of heart and very romantic. See?
2015-02-16